Latest posts
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Trump’s Gaza Ultimatum: 20 Points, 72 Hours, and a Peace Plan Written in Smoke
The spectacle began at the White House: President Trump and Israeli Prime Minister Netanyahu had unveiled a “Gaza plan”—twenty bullet-points in a scripted ultimatum: Hamas must return all hostages within seventy-two hours. Once that’s done (or claimed done), Israel would reciprocate with the release of 250 Palestinians serving life terms, plus some 1,700 Gazans detained…
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Federal Government Shut Down is Trump’s Trojan Horse
It begins at midnight, not with fireworks or ceremony but with lights flickering off in office after office, cubicle after cubicle, across the federal government. The hum of fluorescent tubes dies. The emails bounce back. The phones ring without answer. The federal government, the largest employer in the United States, goes into induced coma—not because…
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Fear and Long Guns on Michigan Avenue
Chicago has always thrived on theater. Jazz clubs, improv stages, opera houses, the permanent farce of city politics—this is a town that knows spectacle. But nothing quite prepared the Magnificent Mile for the latest federal roadshow: dozens of Border Patrol agents in tactical helmets, body armor, and long guns parading up Michigan Avenue like they’d…
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From Hypertext Dreams to Data Nightmares: Tim Berners-Lee’s Reminder That We Broke His Toy
The man who sketched the web on paper napkins at CERN now has to watch it shuffle around in stained sweatpants, working shifts for monopolies that surveil your cousin’s cat pictures and weaponize your grandmother’s political rants. Tim Berners-Lee, knighted not just for giving us hyperlinks but for unleashing the entire World Wide Web on…
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Disney’s Kimmel Imbroglio: Shareholders Su for Truth While Politics Invade the Boardroom
There are many ways for an entertainment empire to humiliate itself. Some settle for the small stuff: a blockbuster flop, a malfunctioning roller coaster, a streaming password crackdown that feels like a mugging. But every so often, a corporation aims higher—producing an operatic self-own so baroque it deserves its own tragic score. Thus we arrive…