Latest posts
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The Disappearing Act of Green Arrow: James Gunn’s DCU and the Case of the Missing Archer

If you squint hard enough, you can almost see him: the man in green tights, a quiver full of metaphorical arrows, lurking somewhere in the dusty backlog of Warner Bros. IP rights. But according to James Gunn—the self-appointed town crier of the DC Universe—Green Arrow isn’t so much missing in action as he is missing
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Hurricane Erin: America’s Latest Reality Show, Now Streaming Live from the Atlantic

It’s August 2025, and Hurricane Erin—currently whirling itself into a Category 2 diva act about 200 miles off the North Carolina coast—is serving as yet another reminder that America’s infrastructure is mostly just plywood, wishful thinking, and a governor’s press conference stapled to a sandbag. Erin, once a strapping Category 5 beast, has now “weakened”
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Sneak Peek: The First Chapter of Sleeping Fairy

Back in 2018, I drafted a retelling of Sleeping Beauty that was never really about castles or curses. It was about MySpace. It was about being twenty-one in the early 2000s—when dial-up whined through your bedroom wall, when your whole life could be demolished in a single public post, when “delete” wasn’t an option because
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Peacock, Plucked but Proud: Why I’ll Follow MSNBC Anywhere (Even Into MS NOW)

The news broke: MSNBC is cutting ties with NBC’s Peacock, shedding the feathers, and rebirthing itself as MS NOW. And while some people are clutching pearls over the rebrand, I have one thing to say: take my Peacock, take my vowels, take whatever you want—just don’t take Rachel Maddow’s monologues away from me. This is
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Weapons, Freakier Fridays, and the Death Rattle of Sydney Sweeney’s Americana

The box office has once again delivered its weekend sermon, and America, faithful parishioner that it is, dutifully attended services with popcorn in hand. We were given horror, we were given nostalgia, we were given Bob Odenkirk with bruised knuckles, and—because capitalism cannot function without a sacrificial lamb—we were given Sydney Sweeney’s Americana quietly smothered
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Netflix Giveth, Netflix Taketh Away: A Funeral March for the Shows We Loved

The streaming economy is nothing if not biblical: seven years of plenty, seven years of famine, seven executives screaming “cut costs!” while canceling your comfort show. And so, on August 17, Netflix opened the velvet curtain to reveal the latest mass grave of content. FUBAR? Dead. The Residence? Evicted. Pulse? Flatline. The Recruit? Dishonorably discharged.



